Docking Station is a rare and unique sort of residency, designed to maximise meetings with possible collaborators and supporters of the artist’s project. This residency is very valuable particularly for us practitioners working far away from the centres of creative production in the world. The open-ness of the Dutch creative scene, blurring the lines between art, photograpic, film, performance and journalistic practices is a welcome breath of fresh air.
— Sim Chi Yin




As a child growing up in staunchly anti-Communist Singapore, all Sim Chi Yin knew about her mysterious paternal grandfather was that he had died in China. For her family, he was a non-person. Even her grandmother’s tombstone does not bear his name.

Sim has spent the last six years slowly piecing together his story, and come to see how it was part of the most enduring conflict of the 20th century: the struggle against colonialism and the Cold War between West and East. Sim’s grandfather and his fellow activists fought the Japanese and then the British in the only way they knew how: by joining a Communist movement in the jungles of British Malaya (today's Malaysia and Singapore) in the late 1930s and 1940s. It was war in everything but name, and both sides committed what would today be crimes against humanity. These battles were a direct precursor to America’s experience in Vietnam, where Washington tried to apply many of the tactics used by the British in the Malayan Emergency of 1948 to 1960. Although we remember ‘Nam’, very little is known of the Malayan chapter of the Cold War.

Taking her family history as a starting point, Sim explores this hidden history and seeks to sketch a picture of a complex conflict that has left unspoken trauma.

This project was supported by a grant from the International Women’s Media Foundation




Who? Sim Chi Yin

From Singapore

Docking September 4 - 29, 2017

Working on One Day We'll Understand 

About A family history of the Malayan Emergency


Chi Yin was trained a historian, finishing two degrees in International History at the London School of Economics and Political Science. She worked as a journalist and foreign correspondent for Straits Times, Singapore's national English language daily, for nine years before quitting to be an independent story-teller. 

Sim Chi Yin’s residency was supported by the National Arts Council, Singapore.




‎Team Leader & Senior Multimedia Producer at China Daily

"Chi Yin Sim continuously challenges herself by selecting under-reported and elaborate social topics. In her approach - each time a step up, more complex - she goes all the way, long-term and emotionally. 

In her current documentary work she’s taking a historical route and focuses on the resistance of the Malayan Communists against the British in the 1940s –1960s. Using her own family story as a point of departure, Chi Yin explores the story both as a photographer, as a journalist and as a historian.

The past two years she has been traveling throughout South-East Asia taking pictures as well as collecting photographs, archival documents and objects used by the guerrillas. She has also been recording oral histories and revolutionary songs. In doing so, Chi Yin is visually discovering a hidden chapter of the Cold War in Asia; a complex time of war that has left unspoken trauma. 

The Docking Station opportunity comes at a great moment of the project’s development and will allow her to examine different ways to move the story forward in collaboration and discussion with a range of experts from different fields."